The Criterion Collection
May 20, 2009 — Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...
Jul 7, 2008 — Every decade since 1984 the Toronto International Film Festival has conducted a poll of film scholars, critics, and directors to determine the ten best movies in the history of Canadian cinema. This top-ten list has changed somewhat over the years,...
Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.
Essays
May 21, 2007 — In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...
Feb 12, 2007 — Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.
Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.
Essays
May 17, 2004 — Banned by the Third Reich before it was even released, Fritz Lang’s denunciation of Nazi Germany is a compellingly contemporary image of terrorism in an age of universal conspiracy and advanced technology.