The After

Jun 27, 2017 — Let’s break the pattern a bit and open today’s entry with the recommended listening first. Karina Longworth’s outstanding podcast You Must Remember This has just returned from a well-deserved hiatus with a new series, “Jean and Jane.” As in Seberg...

Jun 21, 2017 — Billing itself as “the world's longest continually-running film festival,” the Edinburgh International Film Festival opens its 71st edition today with Francis Lee’s God’s Own Country, one of five films Alistair Harkness recommends from the lineup in the Scotsman: “Already described...

May 21, 2017 — So the idea here should be self-evident, but just in case: click a title to see the first round of critical response—reviews, interviews, video, and so forth—and check back now and again, as nearly every entry below is updated for...

May 18, 2017 — Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...

Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jan 2, 2017 — With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.

Dec 20, 2016 — With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Dec 7, 2016 — Three decades after her concert film Home of the Brave, multimedia artist Laurie Anderson returned to the big screen with her 2015 sophomore feature, Heart of a Dog. In this visually intricate, sonically haunting nonfiction work, Anderson’s grief over the...

Aug 7, 2016 — Following an arduous restoration effort that involved broken scanners, missing reels, and the complicated transfer of materials between Taipei, Bologna, and New York, Edward Yang’s 1991 epic film is finally available in a high-quality viewing format.