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† From Now On

Mar 2, 2021 Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

Jan 27, 2021 Since launching in 2016, the Digital Transgender Archive has functioned as an international collaboration among more than sixty colleges, universities, nonprofit organizations, public libraries, and private collections. Gathering a wide range of trans-related materials, including photos, magazines, newspaper clippings, and newsletters,...

Jan 7, 2021 That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...

Dec 14, 2020 This year’s selection features a record number of films directed by women and people of color.

Dec 7, 2020 As early reviews of Let Them All Talk come in, Steven Soderbergh discusses the state of the movies following the collapse of the theatrical window.

Dec 4, 2020 Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...

Nov 30, 2020 Cuban cinema has no present-day champion more devoted than Luciano Castillo. As the director of the Cinemateca de Cuba, an organization formed in 1960 by the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) in order to protect and promote...

Nov 5, 2020 Performances Whenever I think of the iconic Bengali actor Supriya Choudhury, the first thing I recall is not her face—with its high cheekbones and large, kohl-rimmed eyes that often drew comparisons to Sophia Loren’s—but her voice, disembodied, tearing through the...

Oct 28, 2020 Artistic director Thierry Frémaux hosts a special three-day event in the Grand Théâtre Lumière and cautiously looks ahead to next year’s edition.

Oct 27, 2020 A good number of film publications are reminding us that this is the season for terrifying ourselves.

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