The Criterion Collection
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.
On the Channel
Feb 25, 2021 — Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...
Features
Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...
The Daily
Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.
The Daily
Jan 29, 2021 — This week sees a new publication, a revived column, and countless hours of conversations about movies.
On the Channel
Jan 28, 2021 — Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...
Essays
Jan 26, 2021 — Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...
Jan 19, 2021 — In the summer of 1976, my parents took me to see the tall ships in New York Harbor. I was ten, and I remember very little about it other than that I went and that the ships, tall, did not...
Features
Jan 15, 2021 — Songbook 1.There is music in Hirokazu Kore-eda’s Still Walking that arises from the home itself. It sounds like eddies of conversation around a kitchen counter, as persistent as the crackle of frying oil. It sounds like the patter, so similar...
Features
Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...