The Criterion Collection
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.
Mar 16, 2017 — A potent combination of faux-documentary and horror-film techniques, Felipe Cazals’s 1976 Canoa: A Shameful Memory reimagines the brutal killings that occurred in 1968 in San Miguel Canoa, where villagers attacked a group of visiting university employees who were alleged to...
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.
Feb 22, 2017 — Portraits of family dysfunction don’t get much more brutal than Michael Curtiz’s 1945 Mildred Pierce, which features Joan Crawford in an Oscar-winning performance that revived her career. Adapted from James M. Cain’s psychological novel, the film injects hard-boiled suspense into...
Feb 2, 2017 — In her just-released Sundance hit The Lure, Agnieszka Smoczyńska evokes both the decadence and decrepitude of 1980s Poland through the adventures of Silver and Gold, two man-eating mermaid sisters who decide to go terrestrial and soon become a nightclub singing...
Essays
Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
In Theaters
Nov 17, 2016 — French cinema icon Isabelle Huppert takes the spotlight this weekend, as New York City’s Metrograph theater launches a mini-retrospective of her four-decade career.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.