The Criterion Collection
Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.
Essays
Oct 26, 2016 — The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.
In Theaters
Jun 9, 2016 — Dutch cinematographer Robby Müller has given us some of the most transcendent images ever captured on-screen. Since beginning his career in the late sixties, he has lensed a wealth of indelible moments—from Harry Dean Stanton wandering alone through the vast...
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...
Jun 23, 2003 — Ermanno Olmi’s seldom-cited debut feature, the 1958 Time Stood Still, is a wonderful film, but it was the one-two punch of his second and third films that put him on the international movie scene map. Il Posto and I Fidanzati...
The Daily
Jun 16, 2026 — BAM presents twelve films ranging from the early 1960s through the late 1980s.
The Daily
Jan 18, 2024 — Revival screenings mark the anniversary, and critics list their most-anticipated films from this year’s lineup.