Oct 30, 2012 — “I discovered Criterion in the late eighties with the laserdisc of
 Citizen Kane, which I still watch,” writes director William Friedkin, whose films include The French Connection, The Exorcist, Sorcerer, and 2011’s Killer Joe. “Since switching to DVD and Blu-ray,...

Feb 22, 2012 — Oren Moverman, who appears as a visitor to the theater in Vanya on 42nd Street, is the cowriter and director of the 2010 Oscar-nominated The Messenger. He served as a screenwriter on I’m Not There, Married Life, and Jesus’ Son,...

Nov 4, 2010 — Angus MacLachlan is a playwright and screenwriter from Winston-Salem, North Carolina. His screen credits include Junebug (2005), directed by Phil Morrison and starring Amy Adams, Embeth Davidtz, and Alessandro Nivola, and Stone (2010), starring Robert De Niro. In selecting his...

Cop 223 Gets Lucky

Production Notes

Oct 14, 2008 — Okay, quiz time. What does the music video for Justin Timberlake’s “SexyBack” have to do with the Criterion Collection? Give up? Well, it was shot by none other than ace director of photography Christopher Doyle, whose work is being brought...

Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

Jan 4, 2007 — As we get back from vacation, the e-mail boxes are full. Kim, several of the other producers, and I have been doing our best to get to it all, but it’s beginning to pile up. We’ve been pretty good about...

Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...

Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Jun 3, 2002 — In addition to being his funniest film, The Horse’s Mouth is the most personal, and touching, of all Alec Guinness’ movies. Apart from starring as the brilliant but bedraggled artist Gulley Jimson, Guinness also adapted the Oscar-nominated screenplay from Joyce...

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