The Criterion Collection
Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtuosity.
Oct 16, 2006 — Alfonso Cuarón’s first film—a sex farce that pokes fun at Mexican culture, including a public-service AIDS campaign—emerged from Mexico’s beleaguered state funding system for cinema, and was initially shelved by the government.
Oct 24, 2005 — The hero in Masahiro Shinoda’s popular samurai movie is both a genre figure and an ordinary character, both killer and savior, both larger than life and lost in the mists.
Essays
Jun 3, 2002 — Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.
Essays
Dec 31, 1999 — As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
Essays
Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.
Essays
Sep 5, 1988 — A wild mixture of gangster thriller, slapstick comedy, and bittersweet romance, François Truffaut’s second film was one of the signal works of the French New Wave.
Sep 24, 2026 — The elegantly crafted portmanteau films Quartet, Trio, and Encore adapt twelve spellbinding tales of deception and passion from one of the best-selling authors of the twentieth century.