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Dec 8, 2018 — Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.

Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Dec 6, 2018 — Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.

Dec 6, 2018 — Also in today’s round of festival news: Guillermo del Toro’s alternative history of Mexican cinema and Sundance’s New Frontier.

Dec 6, 2018 — Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...

Dec 5, 2018 — Studio Visits When it comes to evoking fantastical worlds, artist Angela Rizza is nothing if not a natural. Since graduating from the Fashion Institute of Technology in 2011, she has quickly made a name for herself as a children’s-book illustrator,...

Dec 4, 2018 — Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.

Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...

Dec 3, 2018 — Yorgos Lanthimos’s period romp wins a record ten British Independent Film Awards, and John Waters picks his ten favorite films of 2018.

Nov 30, 2018 — A new issue from a magazine founded over fifty years ago and a showcase of work by aspiring film critics.