Can-Can

Sep 3, 2015 — Wes Craven, who died this week at age seventy-six, was a horror master with few equals in contemporary American movies. The director of A Nightmare on Elm Street and Scream may not often be spoken of in the same breath...

Sep 2, 2015 — In preparation for our upcoming release of D. A. Pennebaker’s groundbreaking 1967 Bob Dylan documentary Dont Look Back, we recently visited the legendary filmmaker at his home, where he introduced us to an old friend. Photo by Grant Delin That’s...

Aug 26, 2015 — Here’s an item of interest to everybody who feels Bob Dylan’s words are pure gold. Like last year, when Dylan’s original handwritten lyrics for “Like a Rolling Stone” were sold for over two million dollars at Sotheby’s, an original typewritten...

Aug 25, 2015 — Bill Hader and Fred Armisen’s hilarious new IFC Channel show Documentary Now! started last week, and already we can’t get enough. Of course, it helps that the crackerjack comedy team (one of whom is an avowed Criterion fanatic) launched the...

Aug 20, 2015 — You may recognize Jason Polan’s often wacky, always charming drawings from our newsletter emails. But the artist, whose illustrations have also been published in the New Yorker, Metropolis, and the New York Times, has his sights set on more than...

Aug 20, 2015 — Repertory PicksIn 1979, Roman Polanski broke out of the more claustrophobic spaces of his early thrillers like Repulsion, Rosemary’s Baby, and The Tenant with Tess, an exquisitely detailed adaptation of Thomas Hardy’s classic book Tess of the d’Urbervilles, proving his...

Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.

Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.

Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Jul 23, 2015 — Repertory PicksViewers at the Cleveland Institute of Art can get whisked away on a comic escapade this Saturday, July 25, with a 35 mm screening of Preston Sturges’s classic Sullivan’s Travels. This mix of satire and social realism from Hollywood’s...