WHO

Oct 23, 2018 — Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.

Oct 22, 2018 — With her a capella take on the Rolling Stones’ “As Tears Go By,” the singer turns a brief moment in one of Godard’s most playful films into a reflection on loss.

Oct 19, 2018 — Two outstanding podcasts return, and every one of Hong Sangsoo’s features is revisited.

Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.

Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.

Oct 18, 2018 — One of the greatest of all silent films screens at a/perture cinema this Saturday, with a presentation by a Wake Forest University religious-studies professor.

Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.

Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.

Oct 16, 2018 — With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”

Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.