To Love

Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

Jan 8, 2021 — A new Cinema Scope is out, along with the first issue of Screening the Past in well over a year.

Jan 6, 2021 — “Of the various insects that like to make their home in our houses, certainly the most interesting, for her beautiful shape, her curious manners, and her wonderful nest, is a certain Wasp called the Pelopaeus. She is very little known,...

Dec 20, 2020 — Before ringing in the new year, we’re taking a look back at some of the most memorable essays and interviews we published on the Current in 2020. It’s been a head-spinning twelve months, to say the least, but we hope...

Dec 17, 2020 — The year 1999 was several months old when I entered Los Guajolotes, a restaurant that, like so many others in Mexico City, has now disappeared. I was walking to my table when a person who appeared to live on the streets...

Dec 15, 2020 — Steve McQueen’s Small Axe has emerged as one of the major cinematic events of the year.

Dec 14, 2020 — This year’s selection features a record number of films directed by women and people of color.

Dec 11, 2020 — A new Film Quarterly, a Reverse Shot symposium, and the return of Artavazd Pelechian are among this week’s highlights.

Dec 3, 2020 — One of cinema’s preeminent directors is currently at work on two new projects.

Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...