The Criterion Collection
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
May 25, 2010 — In the films of Stan Brakhage, the viewer’s role must be reimagined: from a passive receiver to one who meets the film halfway, actively plumbing the depths of its imagery and the various themes and ideas suggested by its subject...
Dec 1, 2009 — This nonfiction masterwork by David and Albert Maysles and Charlotte Zwerin is a terrifying snapshot of the sudden collapse of the sixties.
Essays
Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...
The Daily
Jul 14, 2026 — News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.
Apr 29, 2026 — Deep Dives You look at Rainer Werner Fassbinder’s The Third Generation (1979), and you see the snarky, risky spirit of the New Wave movements that emerged around the world in the 1960s and ’70s in full, defiant bloom. But what...
The Daily
Jan 9, 2026 — This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.
Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Dec 17, 2024 — A remarkable breakthrough in Hong Kong action cinema, this rip-roaring spectacle represents the peak of Hung’s commitment to ensemble-oriented filmmaking.