The Criterion Collection
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Essays
Jan 21, 2002 — A fresco conceived on a majestic scale, Marcel Carné’s masterpiece sweeps its audience back to the 1820s, painting the detail of a world obsessed with both theater and crime.
Essays
Jan 15, 1996 — If Akira Kurosawa is the John Ford of Japanese samurai dramas, then director Kihachi Okamoto—a specialist in action films, with a particulat accent on violence and raw characterizations—is the samurai film’s Sam Fuller.
The Daily
Feb 3, 2025 — The vibe in Park City was unsettling, but critics and juries discovered plenty of films to fall for.
The Daily
Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.
The Daily
Nov 30, 2023 — A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.
The Daily
Apr 10, 2023 — Ian Penman’s new book Fassbinder Thousands of Mirrors is neither a straight-ahead biography nor an orderly critical analysis.
In Theaters
Oct 27, 2016 — The independent horror spectacular Equinox centers on a group of teenagers who discover an ancient tome that contains cryptic information about an evil realm parallel to the human world.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Apr 22, 2026 — “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...