The Criterion Collection
The Daily
Aug 27, 2025 — The summer’s been terrific for new movie magazines and filmmaker biographies.
The Daily
Aug 22, 2025 — Hong Kong classics, the best of the 1970s, and a Chantal Akerman exhibition are among this week’s highlights.
Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.
The Daily
Apr 24, 2020 — The range this week stretches from silent Soviet classics through Hollywood’s heyday and the Czech New Wave to the revolutions of the late twentieth century.
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
May 21, 2017 — “Arguably, more question marks hung over the prospect of Redoubtable than over any other film in Cannes this year,” begins Jonathan Romney in Screen. “One reason was the idea of Michel Hazanavicius, director of the world-beating The Artist, seeming too...
Short Takes
Jan 20, 2011 — It’s been two decades since Richard Linklater’s Slacker shook up American independent film and helped define a generation. This week, on the eve of the 2011 Sundance Film Festival, journalist Mark Savlov sat down with Linklater and writer John Pierson...
The Daily
Apr 29, 2025 — The festival of experimental cinema will spotlight Ashish Avikunthak and the late Kumar Shahani.
On the Channel
Dec 28, 2022 — We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.
Feb 24, 2003 — Few political films transcend their historic moment quite like Volker Schlöndorff and Margarethe von Trotta’s depiction of West Germany in 1975, when the anxiety about terrorism eroded basic democratic values.