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Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...

Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Feb 26, 2019 — The trailblazing African American director Charles Burnett’s third feature, To Sleep with Anger (1990), was his biggest production to date, albeit still made on a modest budget of $1.4 million, a significant portion of which was raised through the attachment...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.

Oct 29, 2018 — The actor looks back on her experience on the set of Brian De Palma’s first Hitchcockian thriller and her friendship with costar Margot Kidder.

Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.