The Criterion Collection
Oct 18, 2009 — So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...
Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
The Daily
Jul 1, 2026 — Film at Lincoln Center rolls out a series of ten films probing the secrets and suspicions of a nation that seems perpetually on edge.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.
The Daily
Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.
In Theaters
Jun 6, 2013 — Repertory PicksOne doesn’t necessarily think of ascetic cinema master Robert Bresson as an action director, but he undoubtedly made one of the most elegant and suspenseful prison break movies of all time. His 1956 masterpiece A Man Escaped, based on...
Mar 18, 2025 — This stellar entry in one of cinema’s greatest monster franchises combines science fiction’s age-old exploration of human arrogance with the full force of cinematic imagination.
The Daily
Nov 30, 2023 — A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.