February Books

The Daily

Feb 18, 2020 From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.

Feb 14, 2020 One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...

Feb 11, 2020 The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...

Feb 7, 2020 This week, we’re looking back on the work of Antonioni, Fellini, Cassavetes, and Mrinal Sen. Plus: Oscar talk!

Feb 3, 2020 Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.

Jan 30, 2020 Elisabeth Moss plays Shirley Jackson, but Decker’s fourth feature is anything but a conventional biopic.

Jan 28, 2020 Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...

Jan 24, 2020 This week we’re looking at new work from Víctor Erice, the varied oeuvre of Agnès Varda, the cinematic lighthouse, the making of Before Sunrise, and more.

Jan 23, 2020 The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Jan 21, 2020 Melancholy and offbeat, Anna Mantzaris’s stop-motion animated short Good Intentions tells the tale of a woman involved in a hit-and-run accident that sparks a chain of strange occurrences. Using chubby-cheeked felt puppets that might suggest a more charming, whimsical type of story,...

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