The Goumbé of the Young Revelers

Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.

Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

Oct 22, 2013 — The disc of Faces that you now hold is the most beautiful copy possible of a film that was meant to look lousy. Digital technology painstakingly reproduces John Cassavetes’s lighting, which allowed his actors to move about freely, and so...

May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.

Jan 8, 2013 — 01   Because it’s the purest American road movie ever.  02   Because it’s like a drive-in movie directed by a French new wave director.  03   Because the only thing that can get between a boy and his car obsession is a...

Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...

Oct 24, 2012 — A highly sophisticated look at sex, relationships, and loneliness, John Schlesinger’s Sunday Bloody Sunday was controversial when it was released in 1971, mainly as a result of the casualness with which it depicts intimacy between two members of the same...

Jul 18, 2012 — John Lurie reminisces about making Down by Law and Fishing with John.

Jun 21, 2012 — Austin film programmer Jesse Trussell tells us about what goes into curating this long-running series.

Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....