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The We and the I

Mar 16, 2015 Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Apr 26, 2011 At once prestigious literary adaptation and slap­stick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.

Oct 27, 2025 The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.

Dec 12, 2023 In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...

Aug 10, 2022 Selections range from award-winners in Cannes, Berlin, and Sundance to promising titles heading first to Venice and Toronto.

April Books

The Daily

Apr 13, 2022 Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Feb 15, 2022 Films from Italy, Iceland, and the Central African Republic each map the dynamic between four friends.

Nov 4, 2021 So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Aug 12, 2021 Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Apr 28, 2021 Channel Calendars Next month, the Criterion Channel celebrates independent, pathbreaking, and underappreciated artists. We’ve got a retrospective devoted to Gena Rowlands (pictured), the indie-film legend whose acting blurred the line between life and performance; a centenary tribute to the great...

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