The Criterion Collection
Feb 21, 2006 — Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....
Essays
Jan 5, 2004 — One of the most original—and hilarious—comedies ever made, M. Hulot’s Holiday has delighted and disarmed moviegoers the world over since its first appearance in 1953. There’s little in the way of plot or dialogue to this French-made farce about a...
The Daily
Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.
Essays
Aug 4, 2003 — Shohei Imamura’s lurid black comedy showcases the director’s passion for everything that’s kinky, lowlife, or irrational in Japanese culture.
The Daily
May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.
The Daily
Jan 24, 2020 — This week we’re looking at new work from Víctor Erice, the varied oeuvre of Agnès Varda, the cinematic lighthouse, the making of Before Sunrise, and more.
The Daily
Jan 17, 2020 — Cocteau in the ’50s, Jane Fonda in the ’60s, and Dustin Hoffman and Meryl Streep in the ’70s feature in this week’s round.
Dec 9, 2014 — Liliana Cavani’s tale of the sadomasochistic bond between an ex-SS officer and a former concentration camp prisoner is a transgressive take on history and fascism.
Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.