The Criterion Collection
The Daily
Apr 27, 2018 — A survey of the films in this year’s Cannes competition lineup and predictions of what will take home the top prize.
The Daily
Apr 26, 2018 — In the Year of the Pig (1968) With the fiftieth anniversary of the May ’68 upheaval weighing so heavily on the cultural hive mind at the moment, now’s the perfect time for a retrospective of work by the radical director...
Apr 24, 2018 — Heads-up: My Criterion is going offline temporarily at the end of the month. We’ll let you know when it comes back, new and improved, later this year.
The Daily
Apr 22, 2018 — This year’s Art of the Real, the fifth, running from Thursday through May 6 and co-presented by MUBI and the Film Society of Lincoln Center in New York, “offers a survey of the most vital and innovative voices in nonfiction...
The Daily
Apr 21, 2018 — We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...
The Daily
Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....
The Daily
Apr 20, 2018 — Krzysztof Zanussi is currently in post-production on Ether, “a psychological drama with a Faust-inspired motive, set at the beginning of the 20th Century in Galicia, about a military doctor experimenting with science in order to get power over people,” reports...
Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.
The Daily
Apr 18, 2018 — This morning, the Cannes Film Festival posted an announcement listing eleven new films that had been added to this year’s lineup. Then the announcement was yanked. Radio silence for hours. Now the announcement’s back up again. So let’s have a...
Apr 18, 2018 — Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.