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The Miracle

Mar 30, 2021 Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

Sep 4, 2019 With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Apr 24, 2019 American cinema has lost one of its most visionary artists.

Sep 10, 2018 One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...

Dec 18, 2017 The new Winter 2017 issue of Cineaste is out and the highlight of what’s online would have to be the interviews, four complete “Web Exclusives.” Dennis West and Joan M. West talk with documentarian Pamela Yates about completing her Guatemalan...

Dec 6, 2017 Before breaking events down by city, let’s note that, to celebrate its fiftieth anniversary, Canyon Cinema is taking four 16 mm programs and two digital packages on the road—coast to coast and many, many points in between. Here’s a map...

Nov 13, 2017 Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Sep 28, 2015 Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

May 14, 2014 The author recalls his meetings and correspondence with the uncompromisingly independent British director.

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