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On the Beat

May 25, 2017 “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...

May 23, 2017 In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.

May 20, 2017 “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...

May 19, 2017 “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

Mar 21, 2017 A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.

Dec 29, 2016 Repertory Picks Wes Anderson fans in Oklahoma City can beat those lingering holiday blues with a complete retrospective of his feature films, including a 35 mm screening of 2004’s The Life Aquatic with Steve Zissou. Cowritten by Noah Baumbach, this...

Sep 1, 2016 Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.

Dec 18, 2015 Howard Brookner’s 1983 documentary Burroughs: The Movie, now out on Blu-ray and DVD, offers an unparalleled glimpse into the life of legendary author William S. Burroughs. Brookner began filming in 1978 and spent nearly five years documenting the Beat Generation...

Jul 22, 2015 Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.

May 13, 2013 Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.

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