The Criterion Collection
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...
Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....
Essays
Jul 2, 2015 — By recounting the impossibility of making a movie, Federico Fellini ended up creating a masterpiece that almost fell into his lap.
In Theaters
Jul 2, 2015 — Repertory PicksAmong Dustin Hoffman’s indelible cinematic creations are The Graduate’s awkward Benjamin Braddock, Midnight Cowboy’s apoplectic Ratzo Rizzo, and Rain Man’s autistic Raymond Babbit. But nothing in this chameleon’s oeuvre compares to his Dorothy Michaels, the female alter ego invented...
Sneak Peeks
Jul 1, 2015 — Beautiful and strange from beginning to end, Jaromil Jireš’s Valerie and Her Week of Wonders is a film like no other. It’s fairy tale, horror movie, and coming-of-age story all at once, like Alice in Wonderland with medieval and religious...
Essays
Jun 25, 2015 — German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.
Jun 22, 2015 — Terry Gilliam touches down in the real world for the first time with this fanciful tale of blurred class boundaries in New York City.
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.