The Criterion Collection
The Daily
Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.
Essays
Aug 10, 2021 — Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.
The Daily
Aug 6, 2021 — Catching up with the latest from Alphaville, the Journal of Cinema and Media Studies, La Furia Umana, and Film-Philosophy.
The Daily
Aug 4, 2021 — Updates on the latest news from Sundance, Tribeca, Locarno, Toronto, Venice, San Sebastián, and London.
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
The Daily
Jul 23, 2021 — This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.
The Daily
Jul 16, 2021 — The spotlight this week is on Sara Driver, Jacques Tati, Bill Duke, Lizzie Borden, and Nobuhiko Obayashi.
The Daily
Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.
Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...
The Daily
Jul 12, 2021 — Far more than a behind-the-music tribute, Haynes’s first documentary reanimates American culture in the mid-1960s.