The Criterion Collection
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
In Theaters
Oct 18, 2018 — One of the greatest of all silent films screens at a/perture cinema this Saturday, with a presentation by a Wake Forest University religious-studies professor.
The Daily
Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
On the Channel
Oct 15, 2018 — Film historian Ronald Haver breaks down one of classic Hollywood’s most iconic action sequences in this clip from our laserdisc release of King Kong.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
The Daily
Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...
The Daily
Oct 9, 2018 — Llinás and his troupe of four performers present a playful, open, inventive, fourteen-hour-long adventure.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.