Val

Mar 25, 2022 — This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.

Mar 16, 2022 — The dark shadow of Putin’s war hangs over much of this year’s program.

Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.

Mar 2, 2022 — The Ukrainian filmmaker has said of his 2018 feature: “Let’s call it an angry film.”

Feb 23, 2022 — Twenty-nine nonfiction and hybrid films will screen through March 10.

Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.

Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.

Feb 11, 2022 — The week wraps with swift thrills from Steven Soderbergh and Dominik Graf and fresh appreciations of Louis Malle and Julien Duvivier.

Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.