The Companion

Aug 21, 2024 — This month brings a new biography of Agnès Varda, collections from Phillip Lopate and Jonathan Rosenbaum, and some hefty coffee-table accessories.

Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

May 23, 2023 — In one of her most moving explorations of youth, Céline Sciamma offers the gently radical and reparative chance for a mother and child to share a perspective.

Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

Dec 1, 2022 — Three complementary series in New York will serve as tributes to Jean-Luc Godard and Jean-Marie Straub.

Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Aug 17, 2021 — Songbook It will always figure for me as an interval of eerily suspended time: not only a formative moviegoing experience but a jolt of awareness when the line between screen and life dissolved. In a dimly lit Tokyo cabaret the...

Nov 25, 2020 — A talk with Claudia Weill, a new issue of Cineaste, and an appreciation of playback singer Asha Bhosle are among this week’s highlights.

Feb 12, 2020 — If you were born in Mexico City in the second half of  the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...

Jan 29, 2020 — It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...