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Dec 6, 2016 Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...

Nov 30, 2016 1.Marlon Brando and his father founded Pennebaker, Inc., one of several companies in the 1950s that were started by leading actors and backed by a major studio. This business model became popular as the “Big Five” studio system began to...

Nov 25, 2016 Did You See This? In celebration of TIFF’s ongoing series Imitations of Life: The Films of Rainer Werner Fassbinder, Guy Maddin takes a look at the German master’s predilection for lush color palettes. In his latest TCM Diary for Film...

Nov 25, 2016 In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

Odes to Creativity

On the Channel

Nov 15, 2016 This week’s Short + Feature program on the Criterion Channel pairs D.A. Pennebaker’s three-minute experimental Daybreak Express and Ronald Neame’s feature comedy The Horse’s Mouth.

Nov 11, 2016 The DailyLegendary French cinematographer Raoul Coutard, who created some of the most indelible images in film history, has passed away at the age of ninety-two. The BFI pays tribute to him by republishing an article from the winter 1965–1966 issue...

Nov 3, 2016 The George Eastman Museum screens John Frankenheimer’s 1962 psycho-political thriller in anticipation of election night.

Oct 21, 2016 Did You See This? The 2016 Gotham Award nominations were announced yesterday, and we were proud to see Kirsten Johnson’s Cameraperson, a Janus Films release, in contention for best documentary. Writing on Claude Arnaud’s expansive new book, Jean Cocteau: A...

Oct 19, 2016 Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.

Oct 13, 2016 From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

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