The Criterion Collection
On the Channel
Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
Criterion Designs
Sep 26, 2022 — For this new illustration, Spanish artist David de las Heras combined his signature use of bold colors with the lush style of French postimpressionist Henri Rousseau, a key visual influence on Atom Egoyan’s 1994 film.
The Daily
Sep 20, 2022 — A new collection introduces a major French critic and editor to English-speaking cinephiles.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
The Daily
Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.
The Daily
Aug 19, 2022 — Věra Chytilová, Lodge Kerrigan, and the first zombies are back in theaters; plus, a tour of installations by Agnès Varda.
The Daily
Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.
The Daily
Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.