Work

Oct 23, 2018 — Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.

Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.

Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.

Oct 16, 2018 — With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”

Oct 16, 2018 — With Happy New Year, Colin Burstead, the British director returns to the nit and grit of his early features.

Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.

Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...

Oct 9, 2018 — Llinás and his troupe of four performers present a playful, open, inventive, fourteen-hour-long adventure.

Oct 9, 2018 — The Oscar-winning director of La La Land explains how an early encounter with À nos amours taught him to mix spontaneity and surprise into his own highly stylized worlds.

Oct 9, 2018 — This adaptation of James Baldwin’s 1974 novel is a testament to the director’s professed influences.