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Into the Okavango

Sep 26, 2012 Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.

Sep 20, 2012 The following is excerpted from a 1990 audio interview that originally appeared on the Criterion Collection’s laserdisc edition of Children of Paradise. It was conducted by the late Brian Stonehill, who was a communications and media studies professor at Pomona...

Aug 27, 2012 There are disturbing movie scenes, and then there are disturbing movie scenes. The following, from Norman Mailer’s Maidstone, is not for the faint of heart. The 1970 film is the ultimate example of Mailer’s cinematic philosophy, which held that a...

Aug 8, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors about what they consider to be the ten greatest works of cinema ever made and compiled the results. The...

Talking with John

Production Notes

Jul 18, 2012 John Lurie reminisces about making Down by Law and Fishing with John.

Jul 17, 2012 Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...

Jun 20, 2012 I have John Schlesinger to thank for my role in Harold and Maude. I’d been in Sunday Bloody Sunday for John. He had given Hal Ashby my name to look up when Hal was interviewing all the famous English dames...

Jun 15, 2012 Not all of the amazing acts from the 1967 Monterey International Pop Festival—which is celebrating its forty-fifth anniversary this weekend—made it into the final cut of D. A. Pennebaker’s documentary Monterey Pop. Among the casualties was Laura Nyro, who gave...

Jun 13, 2012 Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.

May 29, 2012 Harriet Andersson’s Monika is both an erotic object and an empowered female protagonist in Bergman’s groundbreaker.

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