The Criterion Collection
Aug 24, 2016 — During a 2006 meeting with the author, French New Wave icon Jeanne Moreau reminisced about working with Orson Welles, Louis Malle, and François Truffaut, and her turn to acting as a means of eluding the “destiny of a regular girl.”
Production Notes
Jul 18, 2016 — Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”
Production Notes
Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.
Short Takes
Sep 10, 2015 — Noah Baumbach asks one of his idols, Brian De Palma, about the stunningly elaborate museum sequence in Dressed to Kill.
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
May 5, 2009 — Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.
Nov 12, 2007 — I’ve always been fascinated by the details of getting places. Bill Becker would often say that the best part of a trip for me was getting there and back—what happened while I was there was less important. Figuring out how...
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....
Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.