The Criterion Collection
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
Essays
Sep 18, 2000 — Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
Essays
May 5, 1998 — Borrowing inspiration from doom-laden French crime movies like Jean-Pierre Melville’s Le samouraï and ancient Chinese chronicles of patriotic assassins, John Woo’s film is a passionate cinematic upheaval.
The Daily
Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.
The Daily
Jul 1, 2026 — BAM’s thirteen-film series dips into chapters of American history that tend to get overlooked on Fourth of July weekends.
Jun 5, 2026 — Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...
Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
The Daily
Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.
Feb 5, 2026 — In a collection of behind-the-scenes documentaries now playing on the Criterion Channel, legendary female performers assert their agency over their screen personae and find freedom in the glamour and artifice of their profession.