The Criterion Collection
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
In Theaters
Jan 24, 2019 — Repertory Picks Next Tuesday afternoon, the Los Angeles County Museum of Art will spotlight the high-energy high jinks of Harold Lloyd, as two of the silent comedian’s most beloved classics, The Freshman and Speedy, play back-to-back in the Bing Theater....
On the Channel
Dec 11, 2017 — Celebrate the centennial of one of silent cinema’s most iconic figures with a documentary about actor Harold Lloyd, now playing on the Criterion Channel on FilmStruck.
Apr 18, 2016 — In partnership with Sony Pictures Home Entertainment, select Criterion titles are now available for purchase on Blu-ray in the United Kingdom, both in stores and online.
Sneak Peeks
Dec 9, 2015 — Speedy, directed in 1928 by comedy writer and filmmaker Ted Wilde, is a mile-a-minute ride through New York that was the final silent film to star Hollywood comic icon Harold Lloyd. Shot on location in New York and on sound...
Jun 23, 2026 — The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...
The Daily
Jun 3, 2026 — This year’s lineup features lots of music, another De Niro and Scorsese reunion, and an AI-generated feature.
Oct 24, 2025 — It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Aug 12, 2025 — This remarkably sensitive yet jarringly violent romance epitomizes director Youssef Chahine’s late-fifties hybrid style, which combined elements of Hollywood entertainment with an unmistakably Egyptian spirit.