The Criterion Collection
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Aug 24, 2010 — T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...
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Aug 21, 2026 — Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.
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May 7, 2025 — An absorbing fifty-three-minute meditation on a massive construction project opens in New York on May 14.
Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.
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May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.
Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.
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Dec 19, 2023 — Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.
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Feb 7, 2023 — A series in Melbourne spotlights Guerra’s work with Antonioni, Fellini, Tarkovsky, and Angelopoulos.