A Legend

Aug 26, 2015 — Here’s an item of interest to everybody who feels Bob Dylan’s words are pure gold. Like last year, when Dylan’s original handwritten lyrics for “Like a Rolling Stone” were sold for over two million dollars at Sotheby’s, an original typewritten...

Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.

Mar 22, 2021 — Here’s what the critics have been saying about the winners of the two main competitions.

Jul 25, 2017 — “So,” wrote Chris Marker in 2003, looking back on his school days, “with scissors, glue and crystal paper, I made a faithful copy of the actual Pathéorama reel. After that, frame by frame, I began to draw a series of...

Aug 21, 2015 — It’s no longer a normal workday when Patti Smith stops by the office. The singer-songwriter, visual artist, poet, and best-selling scribe was here today to shoot an interview about Dont Look Back, D. A. Pennebaker’s legendary Bob Dylan documentary, which...

May 5, 2009 — Irecently had occasion to show Ivan the Terrible in a course on forties world cinema I’m teaching at Chicago’s School of the Art Institute, and found it more mind-boggling than ever. This has always been the Eisenstein feature that’s given...

Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.

Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Sep 13, 2004 — Fifteen years ago I received a letter from a young film director in Texas, who enclosed a tape of his first film, with the unlikely title It’s Impossible to Learn to Plow by Reading Books. It might as well have...

May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...