The Criterion Collection
Feb 23, 2022 — In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
Feb 22, 2022 — In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.
The Daily
Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
The Daily
Feb 16, 2022 — Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.
The Daily
Feb 15, 2022 — Films from Italy, Iceland, and the Central African Republic each map the dynamic between four friends.
The Daily
Feb 14, 2022 — The Berlinale’s most adventurous section offers adaptations, inspiration, and a slice of its own history.
Feb 14, 2022 — A ’20s jazz hit provides a rare moment of peace in Howard Hawks’s frenzied screwball comedy.