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After Love

Cannes 2017: Index

The Daily

May 21, 2017 So the idea here should be self-evident, but just in case: click a title to see the first round of critical response—reviews, interviews, video, and so forth—and check back now and again, as nearly every entry below is updated for...

May 19, 2017 We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...

May 14, 2017 Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.

May 2, 2017 It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...

Apr 27, 2017 Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Apr 7, 2017 Filmmaker Brock DeShane pays heartfelt tribute to Jack H. Harris, the late cult-horror maestro who produced low-budget sensations like The Blob and Equinox.

Mar 29, 2017 Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.

Mar 2, 2017 Repertory PicksThis Friday, the University of Wisconsin–Milwaukee will screen French Cancan, Jean Renoir’s vibrant reimagining of belle epoque Paris. Inspired by the life of Moulin Rouge founder Charles Zidler, this 1955 musical comedy tells the story of a cabaret impresario...

Feb 23, 2017 An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Jan 23, 2017 In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

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