To Love

Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Jun 13, 1988 — G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.

Mar 7, 1988 — A low-key mood study about a broken-down carnival strongman and his half-wit assistant traveling through the bleak backwaters of post-war Italy catapulted Federico Fellini to the front ranks of that country’s greatest filmmaking talents.

Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...

May 30, 2050 — Odd Man Out, Carol Reed’s first masterpiece, introduced the theme that would shape all of his best films: a stranger’s groping quest through the labyrinth of a great city. The little French boy left to his own confused devices in...

Oct 26, 2026 — Drawing on a global understanding of Black expressive culture, the director of the short films I Ran from It and Was Still in It and Blur creates freewheeling, associative narrative structures that explore the intricacies of time, loss, and collective...

Oct 19, 2026 — Uli Edel’s harrowing tale of youth rebellion is one of cinema’s greatest Berlin films, a visceral urban portrait that captures the city’s doom and decadence during the Cold War era.

Oct 19, 2026 — This month’s programs include spotlights on Nicolas Cage and Gene Tierney and a collection gathering work from directors who honed their imaginations making music videos.

Sep 25, 2026 — David Lynch keeps reentering the conversation, and so does Pauline Kael. Plus: A roundup of recent newsletters.

Sep 22, 2026 — In this exhilarating account of the making of Jean-Luc Godard’s Breathless, Richard Linklater lovingly reconstructs the vanished world of late-fifties Paris and the cinephilic culture surrounding the French New Wave.