Mar 28, 2022 At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

Mar 28, 2022 Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...

Mar 28, 2022 Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.

Mar 25, 2022 This week’s reads include a survey of this year’s contenders, a look back to the last big sweep, and interviews with Wayne Wang and Valentyn Vasyanovych.

Mar 24, 2022 Yes, it’s a trip to the moon, but mostly, it’s a lovingly detailed recollection of being a kid in Houston in the summer of 1969.

March Books

The Daily

Mar 22, 2022 This month’s roundup opens with news of forthcoming titles on the work of Pasolini, Kubrick, Sofia Coppola, and Bong Joon Ho.

Mar 21, 2022 Weeks ahead of the lineup announcement, trade publications are making educated guesses.

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 18, 2022 With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Mar 17, 2022 New restorations of the six films directed by the renowned actress will screen from coast to coast.

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