The Criterion Collection
Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...
The Daily
Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
On the Channel
Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...
The Daily
Sep 4, 2018 — A series at Anthology Film Archives and an archived special feature make for fine companions.
The Daily
Sep 4, 2018 — Natalie Portman sings, Willem Dafoe paints, and Frederick Wiseman heads to Trump country.
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.
Aug 31, 2018 — And a pillar of American film criticism falls.
Aug 31, 2018 — There’s a wistful sense of what might have been running through this week’s round of five.
Aug 30, 2018 — By posing provocative questions about revolutionary politics, Tomás Gutiérrez Alea brought Cuban filmmaking onto the international stage.