The Criterion Collection
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.
Aug 17, 2003 — Iwrote my first drama when I was seventeen. I showed it to Ingmar Bergman who then was twenty-four. Later on in life I started to write screenplays and needed to know how a director works. So I put a question...
Essays
Jun 4, 2001 — Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.
The Daily
Jan 12, 2026 — Let’s catch up with some of the most notable best-of-2025 listing and polling.
The Daily
Jul 17, 2025 — The festival will launch new films from Agnieszka Holland, Rian Johnson, Derek Cianfrance, and Paul Greengrass.
The Daily
Mar 17, 2025 — Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.
The Daily
Oct 18, 2024 — Names in the news this week: Bette Gordon, Robert Frank, Don Hertzfeldt, Alfonso Cuarón, Cate Blanchett, and Quentin Tarantino.
The Daily
Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.
Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.