Time Has Come

Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.

Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Jan 4, 2024 — Critics and filmmakers remember a subtle giant of the stage and screen.

Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.

Dec 18, 2023 — As we scan the latest lists, polls, and awards, it seems that many critical favorites are emerging in pairs.

Dec 15, 2023 — Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.

Dec 14, 2023 — Greta Gerwig will preside over the jury in Cannes, Sundance will celebrate forty years, and the Berlinale names a new director.

Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.

Dec 1, 2023 — The best-of-2023 listing begins, plus: Abel Gance, Elisabeth Subrin, Pedro Costa, and Park Chan-wook.

Nov 28, 2023 — Past Lives came out on top in New York, while Stonewalling triumphed in Taipei.