The Criterion Collection
The Daily
Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...
The Daily
Sep 15, 2017 — Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...
Jun 27, 2017 — Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Nov 2, 2016 — The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
Nov 4, 2015 — Linklater circa 1990 In 1985, six years before the release of Slacker, Richard Linklater's iconic portrait of a generation, the Texan filmmaker founded the Austin Film Society. The group began as a small band of cinephiles eager to see classic,...
Features
Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
May 22, 2012 — These five films chart the unlikely ascendance of a hero of American underground cinema.