The Criterion Collection
Nov 22, 2013 — Did You See This? • Catching up with Nashville’s Ronee Blakley • Visit Being John Malkovich’s 7½ floor. • Agnès Varda selects. • They’ve got a file on you, Orson. • Words of wisdom from Albert Maysles • The Warner...
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
Sneak Peeks
Jun 15, 2012 — Not all of the amazing acts from the 1967 Monterey International Pop Festival—which is celebrating its forty-fifth anniversary this weekend—made it into the final cut of D. A. Pennebaker’s documentary Monterey Pop. Among the casualties was Laura Nyro, who gave...
Short Takes
Oct 26, 2011 — Piercing chamber drama though it may be, Ingmar Bergman’s Cries and Whispers would seem an unlikely candidate for the theater, so quiet, vivid, and intimate is its story of a dying woman and the sisters who fail to offer her...
Interviews
Jun 22, 2011 — Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...
Essays
Oct 27, 2009 — Who speaks of Howards End these days? Who expounds on the virtues of this magnificent drama, whose traditional style seems almost as distant as its Edwardian setting? Seen today, years past its 1992 release, it strikes one as not only...
Oct 19, 2009 — Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...
Aug 1, 2007 — Two towering figures of cinema died this week, and while we can all be grateful that they lived such long and fruitful lives, their departures were nevertheless profoundly saddening, and shocking in their coincidence. Look to your right at our...
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.