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Why that Actor was Late

Dukie

Features

Feb 23, 2012 Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Sep 26, 2011 No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.

Nov 12, 2024 Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.

Feb 7, 2023 One of Krzysztof Kieślowski’s closest collaborators, the Polish composer suffuses the quotidian images that appear throughout Blue, White, and Red with deep poetry and sacred meaning.

Nov 30, 2017 New York. With The Non-Actor, a Film Society of Lincoln Center series programmed by Dennis Lim and Thomas Beard, running through December 10, J. Hoberman writes a brief but rich history of the notion for the New York Review of...

Apr 17, 2012 Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japa­nese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...

Nov 19, 2024 William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.

Living Memories

The Daily

Mar 15, 2024 Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.

Apr 29, 2022 Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

Feb 9, 2022 The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...

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