The Criterion Collection
The Daily
Mar 14, 2022 — The Power of the Dog is now the clear frontrunner in this year’s Oscar race.
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....
The Daily
Sep 14, 2020 — Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.
Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.
May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.
Sneak Peeks
Feb 18, 2015 — Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Clifford. In...
Essays
Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...