Feb 14, 2002 Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Orpheus

Essays

Apr 24, 2000 When I make a film, it is a sleep in which I am dreaming. Only the people and places of the dream matter. I have difficulty making contact with others, as one does when half-asleep. If a person is asleep...

Nov 18, 1997 Erotic and antierotic, Crash the movie begins boldly enough with a vacantly lissome blonde (Deborah Kara Unger) dreamily opening her blouse to press a bare nipple against the enameled surface of an airplane fuselage before allowing a total stranger to...

Jun 26, 2026 We’re tracking the unconventional flows of Zidane, Eephus, and Castration Movie; plus Pedro Costa on Mizoguchi and Tourneur.

Apr 29, 2026 Deep Dives You look at Rainer Werner Fassbinder’s The Third Generation (1979), and you see the snarky, risky spirit of the New Wave movements that emerged around the world in the 1960s and ’70s in full, defiant bloom. But what...

Feb 23, 2026 Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Jan 20, 2026 The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.

A Kind of Requiem

The Daily

Dec 12, 2025 This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.

Dec 4, 2025 PTA wins one accolade after another, and Peter Hujar’s Day leads the nominations for the Film Independent Spirit Awards.

Jun 12, 2025 From Hitchcock to Kubrick, Star Wars to Twin Peaks, the selection ranges as wide as the film gauges.

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